4.5. One of the few genuinely frightening films. The ambiguity in Henry James' original has been reduced by several degrees to a more explicit cautionary tale about sexual depravity and repression, but Clayton's adaptation manages to create an unsettling and hypnotic psychological maze of its own with fluid, seemingly effortless long takes, the distorting and contrasting effects of the simultaneous uses of deep focus and extra-wide angle lens, an eerie atmospheric soundscape, and Deborah Kerr's perpetually frightened expression.

给个五分，实际四分。追了这么久，从十分对口味变得一般般，加了好多奇奇怪怪的价值观，不敢苟同。

八又活动第42期-20170416-七转八起主讲-1907。注定脸盲，实在太像了好嘛。要不是七转八起老师解读，很多并不是通过叙事而是通过电影美术（比如道具、摆设转场、灯光这些细节设计）表达出来的内容实在是精东传媒入口这样对这段历史不精通的人解读不出来的。而这肯定也是好这一口的人们兴趣所在。绝对涨姿势的一次活动。

行尸走肉终于完结了。当初身边和我一起追剧的朋友，几乎全部都中途放弃了，现在回想一个人看到最后也是不容易。十一年里，剧中角色经历很多事，现实生活中精东传媒入口也是一样。总而言之，感谢陪伴，成长快乐。

This is a very nice psychoanalysis text, and it also remind us that the dangerous of exposing oneself in a specific situation. The elements of Gothic horrible film always shows how unconscious worked : archetype projected to everywhere and appear in the image of ghost. Especially at that time woman are actually repressed in sexual aspects- as we all know, the more you repress, the more the unconscious is evoked.