科恩兄弟应该说从这部片开始成熟，如果说血迷宫和抚养亚利桑那只是风格化，那这一部一看就是大量研究后充满镜头语言的作品，不论致敬教父的开场，还是那场两个杀手上楼杀老大的戏，伴随着歌剧，翻转着剧情，很有特质。人物也开启了具象化风格化的道路。唯一美中不足的可能还是节奏，不如之后的作品连贯

床戏后的缱绻反而是最动人的。（然而就很难相信Rachel McAdams 是弯的 （

I remember to relax and stop trying to hold on to it And then it flows through me like rain and I can't feel anything but gratitude for every single moment of my stupid little life You have no idea what I'm taking about ,I'm sure . But don't worry . You will someday.

明明2个女演员演技没什么问题，已经很拼，牺牲也很大了，可成片总觉得不在点上，那应该是导演的问题了。

It's doesn't make sense.